When I’m not on location I allow myself a few hours a day in the edit room to work on the rerelease of my 1992 film “The Potter’s Meal.” It feels like I am reconnecting with the idea of being a documentary filmmaker. I use to edit most all of my own stuff till I met Tim. Anyway there is something magic about pottery like photograph, from the mud of the earth you can get pots (art) and with from light of the sky you can get images (photographs). Here are a few photos from a very cold day of loading the kiln behinds Joe’s studio in Spring City, Utah.
When I’m not on location I allow myself a few hours a day in the edit room to work on the rerelease of my 1992 film “The Potter’s Meal.” It feels like I am reconnecting with the idea of being a documentary filmmaker. I use to edit most all of my own stuff till I met Tim. Anyway there is something magic about pottery like photograph, from the mud of the earth you can get pots (art) and with from light of the sky you can get images (photographs). Here are a few photos from a very cold day of loading the kiln behinds Joe’s studio in Spring City, Utah.
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